GLEN FOGEL

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Born 1977 in Denver, Colorado

SOLO SCREENINGS AND EXHIBITIONS

2002

Ascension, Sara Meltzer Gallery, New York

Control Sequences, Tonic Performance Space, New York 2001

Pressure System, The Robert Beck Memorial Cinema, New York

GROUP SCREENINGS AND EXHIBITIONS

2002

2002 Whitney Biennial, The Whitney Museum of American Art, New York

Wavelengths, Toronto International Film Festival

Robert Beck Memorial Cinema, The London Film Festival, England

16th Annual Mix: New York Gay and Lesbian Experimental Film/Video Festival

Hans Forever, Gallery Oni, Boston

My Life as Robert Beck…The Best of Yet to Come, Anthology Film Archives, New York

Fruit Farm Film Festival, McMinnville, Oregon

Obscure Love & Death, Yerba Buena Center for the Arts, San Francisco

A Song For You, Anthology Film Archives, New York

2001

Emerging Voices, Big As Life: An American History of 8mm Film, The Museum of Modern Art, New York

Suspended Moments, Film Direkt, Kino im Kunstmuseum, Bern, Switzerland Filmpodium im Studio 4, Zürich, Switzerland Hochschule fur Gestalking und Kunst, Basel, Switzerland Kunstmuseum des Kantos Thurgau, Warth, Switzerland

Project!, Museum Moderner Kunst MMK / Postzollamt, Frankfurt, Germany FilmSamstag im Babylon Mitte, Berlin, Germany

Fever Festival, Blinding Light Cinema, Vancouver, Canada

8th New York Underground Film Festival, CBGB’s Gallery, New York

DIY: Love and Loss, San Francisco Gay and Lesbian Film Festival, The Roxie, San Francisco

Short Film Series, Ocularis at Galapagos Art and Performance Space, New York

Collaboration with Airport Architecture, Tonic, New York

Obscure Love & Death, The Lux Centre, London Anthology Film Archives, New York

Sade Stories, Ocularis at Galapagos Art and Performance Space, New York

2000

Image Innovators: New Super 8 New York, Walter Reade Theatre, Lincoln Center, New York

Night of Extreme Subtlety, 7th New York Underground Film Festival, Anthology Film Archives, New York Open Zone, Ocularis, Galapagos Art and Performance Space, New York

Communication Breakdown, D.u.m.b.o. Art Under the Bridge Festival: Short Film/Video Festival, Gale Gates et al., New York

Compact Films, Mass Art Film Society, Boston

1999

International Super 8, Exit Art: The First World, New York

Night of Subtlety, The Robert Beck Memorial Cinema, New York

EDUCATION

1995-1998 McGill University, Montreal, Quebec Film/Cultural Studies

BIBLIOGRAPHY

2002 Biennial Exhibition, Whitney Museum of American Art, New York, p78-9.

“Work in Progress ­ 2002 Whitney Biennial”, V Magazine, March/April 2002

Carter, Holland, “Spiritual America, From Ecstatic to Transcendent”, The New York Times, March 8, 2002, pE35-E37

Halter, Ed, “The Year in Avant-Garde Film and Video”, The Village Voice, January 8, 2002, p42

Halter, Ed, “Festivals: Super 8 Supersized and Back on Track in New York Communities”, Indiewire.com, May 2000, www.indiewire.com/film/festivals/fes_00Super8_000503_wrap.html.

Korotkin, Joyce B., “Gae Savannah @ The Scene Gallery & Glen Fogel, Jeremy Dickinson and Jan Albers @ Sara Meltzer Gallery”, NY Arts Magazine, April 2002, p94, www.nyartsmagazine.com/64/reviews7.htm.

Schüepbach, Hannes, “Suspended Moments”, Film Direkt, Switzerland May/June 2001

FILMOGRAPHY

Reflex (1999) 16mm film (enlarged from Super 8 film), color, sound, 3:30 minutes

Coming Home (1999) Super 8 film, color, sound, 1:30 minutes

Universal Leader (1999) Super 8 film, color, sound, 4 minutes

Pressure System (2000) Super 8 film, color, sound, 7 minutes

Endless Obsession (2000) 16mm film (enlarged from Super 8 film) color, sound, 5 minutes

Control Sequences (2001) Video and 16mm film (enlarged from Super 8), b/w and colored gels, superimposed film & video projection, sound, 6 minutes

Airport Architecture (2001) Super 8 film, color, sound, 15 minutes

Ascension (2001) 16mm film, superimposed film and gelled light projection, color, sound, 6 minutes

COLLECTIONS

Whitney Museum of American Art